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White Space: Book One of The Dark Passages, by Ilsa J. Bick
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New in paperback! From Ilsa J. Bick--the critically acclaimed author of The Ashes Trilogy--comes the first title in a two-book, young adult series about blurred reality in the tradition of Memento and Inception. This thrilling and scary young adult novel is about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.
Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.
Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard. Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopy Matrix meets Inkheart story in which characters fall out of different books and jump off the page. When Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.
Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.
Praise for White Space: Book One of The Dark Passages
"One of the marks of a classic horror story is the slow and insidious shifting of the rules within the tale's universe. Bick understands the power of this trope and uses it relentlessly in this sophisticated horror novel for older teens...Bick is a master of the genre, balancing tension, terror, and tedium through repetition and fractured storytelling."--School Library Journal
Previously released in hardcover (978-1-60684-419-9) and electronic book formats (978-1-60684-420-5)
- Sales Rank: #1453254 in Books
- Brand: Bick, Ilsa J.
- Published on: 2015-02-10
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.12" w x 5.15" l, .81 pounds
- Binding: Paperback
- 560 pages
From School Library Journal
Gr 9 Up—One of the marks of a classic horror story is the slow and insidious shifting of the rules within the tale's universe. Bick understands the power of this trope and uses it relentlessly in this sophisticated horror novel for older teens. A brilliant five-year-old watches her novelist father call horrors from a powerful mirror. A high school junior with static-filled gaps in her memory pens a horror tale, one that had already been written decades ago. A psychically gifted girl accepts a ride from a troubled but sweet boy. A marine and his younger brother head out on snowmobiles after accidentally killing their abusive father. Fleeing their separate nightmares, the cast assembles in a fog-bound, snow-filled valley from which there seems to be no escape. Lovecraft-inspired monsters inflict gruesome deaths and time and space are unreliable in this mind-bending narrative. Slowly, it's revealed that no one is quite who they thought they were, and the boundaries of this universe are definitely falling apart. Continuous references to fictional time and space travelers (The Matrix's Neo, A Wrinkle in Time's Meg Murray) add intricacy, leading characters to wonder if they themselves are made up. Bick is a master of the genre, balancing tension, terror, and tedium through repetition and fractured storytelling. White Space is filled with echoes of other horror stories, but the author manages to hold on to her own narrative voice, playing on readers' expectations through a series of reveals, some just predictable enough to inspire a false sense of security. The first of a series, it also can stand alone.—Katya Schapiro, Brooklyn Public Library
From Booklist
It’s an interesting premise: Emma Lindsayhas been called into Professor Kramer’s office to face his charge of plagiarism. She has written a short story virtually identical to portions of deceased author Frank McDermott’s unfinished novel, Satan’s Skin. Yet she has never seen the novel, which is stowed away in Edinburgh. How could she copy a portion of a novel she didn’t know existed? Is this yet another blink—a lapse in Emma’s daily routine that takes her into other realities, a possible side effect of the plates in her skull? With allusions to The Matrix, The Bell Jar, and The Shining, to name a few, Bick forces readers to face a complex question: Are Emma and others in the story simply characters in one or more books who somehow got trapped together in the white spaces between pages? Or are they real people? This is hardly an easy read. Bick pushes readers, moving between story lines and points of view with little uniting the disparate threads except Emma herself. With incessant violence and gore, this series starter is for the most hard-core connoisseurs of horror or world-shifting fiction. Grades 9-12. --Frances Bradburn
About the Author
Ilsa J. Bick is a child psychiatrist, film scholar, former Air Force major, and now a full-time author. Her critically acclaimed, award-winning YA novels include The Ashes Trilogy, Draw the Dark, Drowning Instinct, and The Sin-Eater's Confession. Ilsa currently lives in rural Wisconsin, near a Hebrew cemetery. One thing she loves about the neighbors: they're very quiet and only come around for sugar once in a blue moon.
Most helpful customer reviews
9 of 10 people found the following review helpful.
I was disappointed
By Tandie
White Space was terribly disappointing for me. It certainly didn't read like young adult fiction. The characters were the right age, but it was more like a super-complicated science fiction novel. I consider myself a fairly intelligent reader and I could barely follow the story. I found myself rereading pages, flipping back to reread whole chapters. There were so many different points of view, it made my head spin. New POVs were being introduced even in the last half of the book. The kicker? This book is almost 600 pages long!
This book is touted as being in the tradition of Memento and Inception. I had a huge problem swallowing all the main character's references to The Matrix. "Who do I think I am? Neo?" "Just like Keanu Reeves." There were at least 5 unnecessary allusions to The Matrix. I like that movie by the way. Apparently, so does the author. There were also mentions of Inkheart and Inception. Can you guess that this book is about alternate realities? What is real?
The first chapter hits the ground running into a world where panops, diddlyhumps, swoozels, arguses, & typhons exist. Words pop into being & you can't even guess at their meaning from the context of the sentence. There is no world building, no explaining. This chapter is from a precocious (smarter than her smart parents) five year old's point of view. Um, nope. The next chapter drops us into high school junior Emma's head. She blinks into other realities.
The story jumps all over the place and even when some of the characters meet, we still have no clue what's going on. It felt a lot like channel surfing the TV for hours. I know that the ending was supposed to blow my mind. I think maybe a hard core sci-fi lover might have thought it was clever. Maybe not. Part of the reason The Matrix and Inception were so cool was the amazing cinematography. After all those movie mentions, I think a more reasonable ending would've been that Emma is really a teenager who's watched The Matrix, Memento, & Inception so many times (and maybe partaken of mind altering drugs) that she thinks she's living out all those movies at once.
6 of 7 people found the following review helpful.
Bizarre,
By Sarah
(Source: I received a digital copy of this book for free on a read-to-review basis. Thanks to Egmont USA and Edelweisss.)
Lizzie lives in a world where things from the imagination can be pulled through the ‘Dark Passages’ (no I don’t know what that means), and into/onto the ‘White Space’ (Could be paper, but could be something else – again I’m not sure).
Lizzie’s father uses the Dark Passages when writing his books, and without Lizzie’s parents knowledge, Lizzie does too.
Emma is in a car with her friend Lily. She suffers from ‘blinks’ where she is transported to another world at times. Emma has a ‘blink’ whilst driving, and then a blizzard causes her to crash.
Emma is saved from the wreck of her van by a man named Eric, and his brother Casey, and then things really start getting weird.
So I’ve read this whole book, it’s taken me the best part of 10 hours, and I’m still not really sure what the hell was going on at all.
This book was just bizarre; all the way through I was wondering what the hell was going on, and whether I was actually supposed to know what the hell was going on. This book was just jumbled. There were parts from multiple different points of view, and they were all kind-of flung in there together, and it was so difficult to work out what was happening to who, and how that correlated with what was happening to other people.
We had this storyline about the white space and dark passages, but then we also had a story about a girl being run off the road in a blizzard, and it was very difficult to understand how these two stories went together. To top this all off, we had really bizarre things going on, and things that really belonged in a horror story – spooky things, creepy things, murder, blood, monsters etc.
This book reminded me of several books – between the lines – where characters in a book are really alive, the shining – because of the blood and monsters and stuff, and a book called burn bright – because this was kind-of trippy in places, and hard to know what was actually happening.
It’s really difficult to rate this book, because while I did enjoy it somewhat, and I made it through all 560 pages, it is still really difficult to know what the hell was going on, and what really happened, and who was even really real?! I mean, the whole thing was just so weird, and made so little sense, that I really still don’t even know what it’s about, which is just ridiculous after having read 560 pages.
The ending was then more of the same – weird, jumbled, unexplained, and I am still not sure what happened to be honest. I’m really not sure if I want to read any more books in this series, because I’m really beginning to think that this story will never be explained, which is seriously annoying.
Overall; weird, jumbled, strange, difficult to follow, and downright bizarre.
6 out of 10.
0 of 0 people found the following review helpful.
Best Book this Summer
By Sara Dawn
This book was much more than I expected. The summary was sort of vague, but I now understand that it could not have been summarized better without giving away important points. I would say it's a little bit like Lovecraft meets Inkheart. Well-written, suspenseful, exciting, original... I would recommend this book with no hesitation.
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